Leon’s old scars will have to wait, anyway. Requiem’s new blood is FBI analyst Grace Ashcroft. Equal parts tenacious and nervous, she’s a fitting lens on the horror portion of Requiem’s split focus between disempowered terror and cathartic action. The story opens with Grace – more acquainted with desk work than field ops – tasked to go over a crime scene at a gutted hotel. She knows the place well, since it holds some horrific memories for her. Still, she heads off with little more than a flashlight and a pistol you’ll never find quite enough ammunition for to feel safe.
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Charlotte Rampling, Cate Blanchett, and Vicky Krieps clash as mother and daughters. "Mother" follows "Father," transporting the film to Dublin, where a romance author (Rampling) is welcoming her two grown daughters for their annual afternoon tea. Where this matriarch is intimidatingly intellectual and chic, her daughters are a study in contrast. Timothea, or Tim for short (Blanchett), is a mousy pencil pusher who fusses and frets but always at a low volume, lest she be a bother. Little sister Lilith (Krieps) is a free spirit with pink hair, a comically casual attitude, and a penchant for lying about great successes to impress her mother.
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